By Eoin Colfer
11 medical professionals, 11 months, 11 tales: a year-long social gathering of health care professional Who! the main intriguing names in children's fiction each one create their very own specific experience concerning the time-travelling Time Lord.
London, 1900. the 1st health care provider is lacking either his hand and his granddaughter, Susan. confronted with the hunt for Susan, an odd beam of soporific mild, and a number of marauding Soul Pirates purpose on harvesting human limbs, the health care provider is promised a perilous trip right into a land he may possibly by no means forget...
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Additional resources for A Big Hand For the Doctor (Doctor Who: 50th Anniversary, First Doctor)
Obviously, most programme format concepts will emerge within the think-tank. However, on some occasions, ideas may also be leased or bought from outside sources, often signed to a first-look deal or contract. Hence, for example, Distraction Formats have a first-look contract with David Bodycombe, an independent UK game show format devisor. Similarly, UK Ludus has a comparable arrangement with the Australia based company, Pacific Productions. How effective are think-tanks? Do they achieve what they were established to generate?
Chapter 3 35 For example, the BBC’s unit for generating programme ideas and refining them is the Format Factory which is headed by the Head of Light Entertainment (World Wide Annual Review 2002). Ignition is currently the name of a comparable unit at Fremantlemedia (Flartog, Fremantlemedia 2002). Meanwhile, the Hot House is now the Entertainment Development Unit of Granada (2003). Formerly known as the Greenhouse, the unit consists of three ‘ideas experts’ who devised and developed more than 50 formats including Boot Camp (C21 Media 2002).
As the idea progressed it became clear that the trio, by now forming the company, Celador, were on to something big. But they were still a long way from getting the programme to air. Discussions with ITV had already started. A change of ITV Programme Director and a radical overhaul of the format after a first pilot saw further revisions to the evolving format. The latter included changing the lighting, the set and the music just a matter of days before Who Wants to be a Millionaire? finally made its debut on ITV in 1998.