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20 Ways to Draw a Dress and 44 Other Fabulous Fashions and by Julia Kuo

By Julia Kuo

This inspiring sketchbook is a part of the hot 20 methods sequence from Quarry Books, designed to supply artists, designers, and doodlers a enjoyable and complex number of representation enjoyable. each one unfold beneficial properties 20 inspiring illustrated examples of contemporary drawings of little black clothes, summery hats, trendy sneakers, fake fur coats and masses, a lot more–with clean area so that you can draw your tackle "20 how you can Draw a Dress."

This isn't a step by step approach book—rather, the stylized attire are simplified, modernized, and lowered to the main simple components, displaying you the way easy summary shapes and types meld to create the development blocks of any merchandise that you really want to attract. all of the 20 interpretations presents a special, attention-grabbing method of drawing a unmarried merchandise, offering a great deal of thought on your personal drawing. provided within the author's uniquely inventive kind, this enticing and motivational perform booklet presents a brand new tackle the area of sketching, doodling, and designing.

Get out your favourite drawing instrument, and take into account, there aren't simply 20 how you can Draw a Dress!

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Additional info for 20 Ways to Draw a Dress and 44 Other Fabulous Fashions and Accessories: A Sketchbook for Artists, Designers, and Doodlers

Example text

21BD1AF1-BA62-4ACF-868F-588A423B525B 57 Simple objects 58 DRAWING STILL LIFE IN COLOUR The examples chosen here are fairly straightforward and easily available. Often, when beginning to draw, people forget to include any background to an object. However, with colour work it is better to put in the immediate surroundings because they have an effect on the colour of the object itself. 21BD1AF1-BA62-4ACF-868F-588A423B525B This first example, a pair of spectacles, is drawn in coloured inks, and is a nice, easy exercise because the pen and ink line complements the linear construction of the glasses.

Some things are quite difficult to achieve in pen and ink, whereas others, like the spectacles, lend themselves perfectly to the process. Single and grouped objects 60 21BD1AF1-BA62-4ACF-868F-588A423B525B DRAWING STILL LIFE IN COLOUR This example, in pastel and chalk on toned paper, is of a glass jar on a white table-top against a darker background. The glass catches the light, so you can use a lot of white chalk here but, where there are dark tones, put them in boldly. This contrast emphasizes the transparency and materiality of the object.

The colour is white, so all you have to consider is the shadow colour and that of the background. The reason that this jug stands out so boldly is that the background colours are all stronger and darker than the jug – the feeling of it existing in three-dimensional space is due to the effect of the background colour, as much as the jug itself. The cast shadow across the table-top helps to anchor the object to the surface that it stands on. Notice how the lines of the background shapes are made softer and less distinct than the lines on the jug.

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